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PRODUCT REVIEWS, TIPS & ADVICE

For help choosing the right binocular click here to view them.

Need help choosing a bag for your digital camera? Click here to see a Lowepro compatibility chart which covers their Apex, D-Res, Rezo and Ridge series of pouches.

Having trouble deciding which Manfrotto tripod and head combination is best for you? Click here for some sound advice with the tripod and head chooser.

Not sure which Lowepro lens cases will best accommodate your lens? Follow this link to a lens case chart which covers manufacturers such as Nikon, Canon, Sigma and Tamron.

PRODUCT REVIEWS

Joe Cornish reviews the Lowepro Vertex 300 AW - www.joecornish.com

'Although at my age I should probably be putting my feet up, I seem to be walking further than ever these days, and am currently working on a book about the Scottish hills. Consequently I spend about half my life in a camera backpack. For the last few months this has been a Lowepro Vertex 300. Ostensibly, this has been designed for the digital generation, and has lots of cute little dividers and pouches in its outer pockets for memory cards, batteries, leads and other digital detritus. Mine are filled with packets of fruit and nuts, head torch, pen and paper, thin gloves, paper towels and chocolate! The harness is simple but extremely comfortable and the profile is a little slimmer than some bags, making it easier to manoeuvre past obstacles, and nicely balanced overall. Just as well, as it usually carries nearly 20kg of gear.

Opened it functions as a proper photographer's workbench, like other good backpacks, though having a view camera filling one third of it, half the dividers were removed immediately! The AW cover is especially good. This feature has been invaluable working in Scotland, where I have been caught in heavy rain on numerous occasions. Overall the Vertex looks good, works really well, and has the sort of bomb-proof build you expect from Lowepro. Now, if only they could make the cameras weigh less!'

Profile image © Joe Cornish


Wildlife Photographer Chris Gomersall reviews the Lowepro DryZone 200 - www.chrisgomersall.co.uk

'Have you noticed that however many camera bags you have, you never have quite the right one for any given trip or assignment? It’s either too big, too small, too heavy, awkward to carry, insufficiently protected, won’t accommodate a laptop, not waterproof, or simply too uncool. So, if you’re like me, you’ve probably ended up with quite a collection to suit every eventuality. In my case, dating right back to a 1980 vintage Billingham bag - coolness in spades, but totally impractical for wildlife work. Having tried various designs over the years, the Lowepro backpacks are definitely my favourite and have proved the most practical and dependable. On the rare occasions things have gone wrong, once with a broken plastic clip and once with a ruptured zip, the lifetime guarantee has been invoked and I’ve been thoroughly impressed to receive a replacement bag free of charge. So their after sales service has been exemplary in my experience.

Changing requirements have recently necessitated a re-think and less reliance on my trusty Photo Trekker AWII, in which I used to carry a couple of professional Nikon film camera bodies and a 500mm f4 super telephoto lens, amongst other things. The digitally evolved me needs a bag for a more compact Nikkor 200-400mm lens and just a few CF cards in place of masses of film. The cosmopolitan me is conscious of airline cabin baggage allowances, and the need to fit an Apple iBook as well as all my precious camera gear into a single bag. And the sea-going me wants something which is absolutely waterproof in case the Zodiac gets swamped or I fall in – not such a rare event as I might wish. Hence my decision to acquire a Lowepro Dryzone 200. When you first encounter this bag, your immediate reaction is that it looks like a piece of diving kit (especially the canary yellow version). I found that reassuring. Looking under the bonnet, so to speak, I found lots more to be positive about.

Dimensions and Capacity
Exterior 48.5 x 37 x 29 cm
Interior 43 x 30.5 x 15 cm

BAA hand baggage allowance at British airports is currently 56 x 45 x 25 cm, so please note that this bag exceeds the permitted size in one dimension. Just. Lowepro understandably won’t endorse this as suitable for airline carry-on, but in practice you’ll probably get away with it. I have, so far. And if pushed you can always offer to detach the harness. The equipment I manage to load inside includes: Nikon D2Xs, Nikkor 200-400mm f4 VR lens, Nikkor 70-200mm f2.8 VR lens, Nikkor 17-55mm f2.8 AF-S lens, Nikkor TC-14E teleconverter, spare EN-EL4a Li-ion battery, Jobo Giga Vu Pro, rocket blower, card case, plus a few sundry filter, cables etc. In addition, the front pocket will just hold my 14-inch Apple iBook in a soft sleeve, solely for flying purposes - but this is inadequately protected and again I’m sure Lowepro wouldn’t recommend the practice. However, the purpose-designed Computrekkers are much too deep for BAA, so you’ve little choice.

Security

The bag hangs on a strong metal frame and is well connected with a series of welded tabs. In addition to the main harness, there’s a sturdy rubber carrying handle at the top. A water-resistant outer fabric covers a fully waterproof inner “drypod” which in turn is secured by the clever TIZIP™, just as you might find on a diver’s drysuit. This TIZIP™ is crucial to the concept, and is said to provide total waterproof protection and flotation, so you need to ensure it’s properly sealed and well-maintained. Close and unclose carefully and methodically, check there are no gapes (if so, go back and start again), keep lubricated with the silicon grease supplied, and take care not to stress or kink the zip. As you can imagine this does slow you down somewhat, but what price total protection? The inner camera compartment is more familiar with the customary foam-padded dividers - far more than you need, but useful to have spares.

Access
There are a lot of zips and flaps on this model! It all makes sense though, when you realise that you don’t need to fasten the heavy-duty TIZIP™ in everyday situations when less protection is needed. The presence of the TIZIP™ though does make access to the camera compartment a little awkward, as you can’t really bend the top flap far enough out of the way, with the result that some items toward the bottom of the bag can be difficult to get in and out. As usual with Lowepro backpacks, you have to remove the bag and lay it on its back to open from the front. I’m used to this by now, but critics point out that this sometimes means getting wet mud and sand all over the carrying harness which then transfers to your clothes (low coolness quotient). And I don’t think any manufacturer has really resolved how to get into a full harness backpack whilst still wearing it.

Comfort
A primary reason I choose Lowepro is for the ability to carry my gear, hands free, in relative comfort. Sometimes for several hours at a stretch, for long distances over rough terrain. I hate doing it, the more so as I get older, so it’s vital that qualities such as balance and fit have been thoroughly taken into account, together with harness design, materials and padding. On the whole, the Dryzone bag fulfilled all of those requirements in the time-honoured Lowepro way. A recent development is the ingenious adjustable harness which allows you to position the bag higher or lower on your back, and that works very well. Shoulder straps and waistband are fully adjustable of course, and there’s a chest strap for good measure. Actually I found that I needed this more than I would have expected, as the shoulder straps had a tendency to slip off my shoulders otherwise. Overall I found carrying the Dryzone 200 not such an onerous burden, whilst never exactly an enjoyable experience, and I’ve yet to discover a more comfortable camera backpack system.

Performance in the field
This bag performed extremely well for me on a recent ship-based expedition to the Falklands, South Georgia and the Antarctic. The main thing was that my camera equipment was well protected against torrential rain, snow, saltwater spray, and penguin poo throughout many amphibious landings. Happily there were no capsizes or bag overboard situations on this occasion, so I can’t tell you whether the bag really does float when fully laden – for the moment I’ll have to take that on trust. I can report that it responded well to a thorough dowsing in the shower (for the purposes of penguin deodorising) and that there was absolutely no trace of dampness inside the drypod. The slow and laborious process of opening and closing the bag was frustrating at times, especially with cold wet hands, but you just have to regard that as a small price to pay for peace of mind.


Conclusion
There’s no doubt that the Lowepro Dryzone 200 has instantly become a mandatory piece of equipment in my working life, as I often find myself hopping about in Zodiacs and RIBs these days. Anybody who does a lot of watersports photography would no doubt appreciate it for the same reasons, though I suppose if you don’t have to be mobile and fleet-footed with your kit you might still prefer an Oyster case. Other than that, I can’t really see there’s a serious competitor. When not working afloat, I still prefer to re-pack the same gear in the similarly sized but more accessible Nature Trekker AWII.


Profile image © Chris Gomersall

 


Landscape Photographer Baxter Bradford reviews the Lowepro Super Trekker AW II - http://www.baxterbradford.com

It is big, and, it is clever! The Lowepro Super Trekker AWII is an impressive if not intimidating beast to the uninitiated and soon becomes a great ally to its owner. It has a huge capacity for your gear, will keep it safe from most eventualities and is very comfortable to carry.

Yet, like all well designed kit, it is simple to use. It becomes a mobile workstation that places everything to hand, vital when you are racing to set up your image before the light disappears or when needing to make equipment changes in transient conditions.

Faced with the new bag, it is perplexing to work out the best layout for your kit and how to best employ the different types of dividers. Don’t rush! Expect to try a couple of variations before you are happy. The easy to follow instructions regarding adjustment of back-length and straps soon have it fitting well.

The AW II version is much more comfortable to carry than the previous model; the water-resistant zips are another major improvement. I prefer to carry my tripod by hand and use the ‘tripod mount’ on the bag to accommodate a groundsheet. Primarily to keep the back of the Super-trekker clean from sand, salt-water or mud, but good to lie on for a low viewpoints on those surfaces. The ‘all weather cover’ is stored at the base of the bag and is easy to fit quickly at the onset of inclement weather. It could be used in lieu of a groundsheet.

Impact protection is good, more than adequate except I imagine, for very severe knocks. Should extra capacity be needed, the supplied daypack attaches easily to the front of the Supertrekker and the side pouches fit securely with the Lowepro ‘sliplock’ system. Should these not suit your needs, other shape and sizes are available. For foreign travel, it fits into my hard shell suitcase.

This is a long-lasting, well developed product that makes life carrying a lot of camera gear easy. Out of the cupboard, into the car, then walking to your choice of Coast or Castle. It doesn’t provide excuses for missed opportunities…. So buy one and get out there!

Profile image © Baxter Bradford

TIPS & ADVICE

Spend time studying your surroundings and pick out abstracts or colour themes as subjects.

Don't always look for the big picture, homing in on details can also bring pleasing results:-

Even the simplest of cameras can be used creatively. Attached are two shots, one taken using the cameras meter settings, the other was taken by pointing the camera at the brightest part of the scene, half press to hold exposure etc and then the shot recomposed and taken. The difference can be quite dramatic.

Some very simple points that can be of real use to PC users.

1 Create a directory on your hard drive each week and put only pics from that week into it. This will allow you to find pics more quickly and also has the benefit of holding less pics, when you do look through them you are more likely to look at them all, rather than get bored half way through and the later pictures then never get looked at.

2 Never store your pictures in the 'my documents' section of your hard drive. If there is a catastrophe such as your motherboard failing, any re-installation of your operating system makes it very difficult to get to files stored there. Always keep them in the 'shared folders' or in a new directory in the root of your hard drive.

3 If you can afford to, purchase a second hard disk and keep nothing but your pics on it. This has the advantage of keeping all files in one place, and if you also put it in a removeable caddy, is easy to disconnect from one PC and connect to another. Always buy the largest capacity you can afford as file size being what it is, space gets taken up very quickly.

4 Each file has a unique number assigned when it is taken. Why not use this as the basis of your filing system, cross referencing in a database makes it easy to go back to a particular shot.

5 If you do cross reference and catalogue your shots, also make a point of taking time to insert IPTC data into each file. If you complete the caption and keywords sections of this, searching thousands of files takes far less time.

6 Another benefit of completing the IPTC data, is that you can add your copyright details to each file. There is a free piece of software called Irfanview that will also speed up this process. Multiple files can be selected as thumbnails and the same IPTC data added to each. Free to download from www.irfanview.com - make sure you also download the plug-ins.

7 Always back up your files on a regular basis. Saving to CD seems to be the most cost-effective method and most new PC's now come with software that will take care of the burning process. When purchasing CD's don't just consider cost, also look at the write speed of the CD. A 52x disc will write in far less time than a 4x. You always encounter the slow disc when you have the least time!!

8 Always install and use the software that comes bundled with your camera. It may be better than you anticipate or it may end up being un-installed pronto. The point is you do not know unless you try it out.